I once did something similar with 'The Good, The Bad and The Ugly,' but it had maybe 8 parts and took me months. This is absolutely brilliant. Only suggestion (and it's to MuseScore) is they need a way to disable 'Swing' in certain areas, because only the very beginning and some other spots are swung, and it makes some of the piece sound very strange, especially in the percussion parts.
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Duple to triplet conversions are cool every once in a while but the constant swung-eighth to sixteenth can be a bit much. No criticisms otherwise. Good job mate. I once did something similar with 'The Good, The Bad and The Ugly,' but it had maybe 8 parts and took me months.
This is absolutely brilliant. Only suggestion (and it's to MuseScore) is they need a way to disable 'Swing' in certain areas, because only the very beginning and some other spots are swung, and it makes some of the piece sound very strange, especially in the percussion parts. Duple to triplet conversions are cool every once in a while but the constant swung-eighth to sixteenth can be a bit much. No criticisms otherwise.
Good job mate.
I once did something similar with 'The Good, The Bad and The Ugly,' but it had maybe 8 parts and took me months. This is absolutely brilliant. Only suggestion (and it's to MuseScore) is they need a way to disable 'Swing' in certain areas, because only the very beginning and some other spots are swung, and it makes some of the piece sound very strange, especially in the percussion parts. Duple to triplet conversions are cool every once in a while but the constant swung-eighth to sixteenth can be a bit much. No criticisms otherwise. Good job mate. I once did something similar with 'The Good, The Bad and The Ugly,' but it had maybe 8 parts and took me months.
![Miserables Miserables](http://assets.sheetmusicplus.com/items/19451030/cover_images/cover-large_file.png)
This is absolutely brilliant. Only suggestion (and it's to MuseScore) is they need a way to disable 'Swing' in certain areas, because only the very beginning and some other spots are swung, and it makes some of the piece sound very strange, especially in the percussion parts.
Duple to triplet conversions are cool every once in a while but the constant swung-eighth to sixteenth can be a bit much. No criticisms otherwise.
Good job mate.